Monday, April 5, 2010

Zennis Workshop

Coach : Badri Narayanan (USPTA Certified Professional Tennis Coach)

Contact information: Badri Narayanan: Cellular (435)764-0969. Email: badri007@gmail.com

BADRI NARAYANAN, has played tennis for the past 18 years and has competed at the National and International Level in India, Middle East and other parts of Asia. He competed at both school and university level and has also successfully coached school and college teams in India, Dubai and the United States.He has Successfully conducted workshops with Well renowned Pro Tour Players in Chennai , United States, Utah. He is a USPTA Level 1 certified Coach. He is a certified tai chi practitioner and has practiced yoga for the past 12 years. Having seen the benefits of tai chi and its similarities with Tennis movements wise, He worked very consciously to integrate taichi with tennis. He has taught Zennis to all kinds of players from juniors to adults to Seniors and believes that zennis will immensely benefit in the holistic development of a player.


What is Zennis ?

Zennis combines slow and aware body movements of Taichi, rhythmic breathing in tai chi, centeredness & techniques and movements that are required in Tennis. The power comes from the core and your hands and feet follow. This helps in natural power, better timing and balance in tennis. It aids in injury free tennis. My workshop focuses on how to keep ones awareness on key elements in spite of being in competition or in a scoring game. It helps in keeping you concentrated on the court without trying hard to concentrate.

Workshop duration: Half a Day work shops

Workshop details:


a. First 15 minutes of the day include, warming up, putting up a sweat. getting your muscles all limbered out for movement.
b. Zennis-Chi exercises : 30 minutes to 1 hour: Here the primary focus will be on generating the chi force ( natural power) , centeredness required for all strokes in tennis.
c. Zennis Forms : 1 hr: Incorporating slow Taichi Movements into Forehand, Backhand, Volleys, Over heads and Serves and feeling the chi force in each stroke.Focus here is on the breathing and and balance and weight shift/footwork
d. Zennis Attitude: 30 mins where I will talk about what is required to be Zen Tennis Master, The Pitfalls and the Jewels.
e: Zennis action on court: 1 hr: Application of Zennis Forms/ Techniques on Court. Here we learn to apply the lessons we learned in the forms on the court. with the primary focus on breathing and balance.
f, Zennis Exercises /Fun : 1hr: Here we will incorporate some creative ways of playing tennis, test individuals on centeredness & skills learned by creating distractions, creative ways of expressing emotion when things don’t go well on court, ambidextrous training for tennis, group discussions etc.

LEARN TENNIS FROM A CERTIFIED TENNIS Pro AND COACH, ZENNIS, TAICHI AND YOGA PRACTITIONER….

NO NEED OF SEPARATE CLASSES…..

BUILT IN WITH EVERY SESSION:

---------Comprehensive training on stroke production, Footwork, serving techniques, volleys, strategies, court coverage etc.

---------Mental training on focus, concentration, energy control, attitude with dedicated sessions for mental stillness

---------Cross training on Fitness, speed and agility to help both improve movement both in your Tennis and other sports

---------Zennis training on balance, breathing, facing internal & external challenges, fear and anxiety and overcoming them

JUNIOR PROGRAMME:

Help your kids be future champions…This program focuses on:

  1. Solid foundation on basic strokes
  2. Focus on footwork
  3. Fun exercises for strength training
  4. Importance of mental strength, concentration, ability to handle stress
  5. Basic Taichi / Zen / Yoga techniques that can help not only with Tennis, but also in School and daily life.

ADULT PROGRAMME:

This program can be customized to meet your needs and can help:

  1. A beginner who wants to learn the basics, enjoy the fun of playing Tennis
  2. Intermediate player with focus on improving key elements of the game
  3. Advanced players with the need to improve / get to the next level in matches
  4. Learn to incorporate the strength training customized for Tennis Game and footwork
  5. Learn to apply the right breathing techniques to help maintain focus and play with less physical strain, and more relaxed and still body and mind.

INJURY FREE TENNIS:

This program focuses mainly on how to play tennis injury free. If your main focus is on learning to play the same strokes with less physical strain, or with no injury… this is the class for you…..

Call now to get advantage of the ‘new student’ discount pricing. Bring a friend and win free sessions!!

Look what some students have to say…

….Badri offers great tennis, and the best part is ..its unbelievably cheap and affordable……

…He goes many extra miles and provides me with books and cds to improve my game…

….Never once has seen the watch and said.. its more than the set class time…

….I wondered why I was paying three times more before with my other coach, and was getting three times less knowledge…

…I am glad I found Badri..Very good coach..extremely knowledgable in Zen, Taichi techniques and I get both Inner coaching along with my Tennis lessons!! Sweet deal!!

Friday, March 5, 2010

Relaxed Concentration in sports

As The title of the blog suggests, it would seem to a paradox. Everybody seems to be asking this question" How to concentrate and yet be relaxed?" This article will dwell into art of relaxed concentration.

Relaxed Concentration is an art. Yes it is. It can be practiced in many a place. Practicing it in complex fast moving activities is quite a challenge since everything is happening so fast. I would recommend to begin practicing on non challenging activities and start doing them in a concentrated yet relaxed way. The benefit of doing this is quality and not quantity. Quality is hard to define.It can be correlated to peace that one feels with in or the the sense of calm one feels as he is doing a certain activity with supreme attention.

Next time on the tennis court, slow down your strokes . have some attention within. become acutely aware of your stroking technique, the feel of the ball. don't try to alter anything. Let
your body automatically correct it if needs to.

Benefits In the the tennis world, it translates into tracking the ball longer, the head naturally becomes still, you are more centered, the feet are light and perfect and your timing is excellent. Try it out and see!!

Monday, February 22, 2010

Success Under pressure

I'm often asked how the best players in the world compete so well when the stakes are so high. "How do they deal with the stress with so much on the line?" Answer: They learn to thrive on it. They don't experience pressure in the same way most people do.

Literally, the top players know how to find pleasure in pressure. Finding pleasure in pressure? It's a concept most players have never considered, must less experienced in an important match.

In this article I will explore this mind-set, the internal emotional climate, and especially, the physical sensations in the body associated with finding pleasure under pressure. Then let's look at a practical training method that can help you create this same powerful constellation of thought, emotion, and sensation in your own matches.

Do you know what Pete Sampras told Inside Tennis after his retirement that he missed the most about the game? He said, "I miss feeling so nervous that I would throw up before the finals of Wimbledon."

So don't think that the top players don't get nervous. They do--very nervous at times. Yet Pete was one of the most relaxed players in the history of tennis when the pressure was on. He came up with big shots that changed matches time after time after time. So something changed dramatically between the pre-match feeling of acute nervousness and how he felt when it mattered most.

How do top players push themselves to make shot after shot?

To give another historic example, think back to Andre Agassi and Marcos Baghdatis both fighting off match points in the fifth set in of Agassi's last U.S.Open. Both players hit winner after winner with their bodies pushed to the limit. It's another example of top players seeming to thrive in a very tense situation.

Skill and training naturally play a big part in the ability to execute under pressure. But the real secret is embracing pressure, learning to stay sufficiently relaxed physically, and finally, knowing how to transform your nervous energy into a positive force.

This is what I mean by finding pleasure in pressure. It is the only real way to improve your odds of winning that 5--4 game in the third set.

At almost all other levels players' experiences are usually the complete opposite. Big moments are the times most players like the least, and when they are most likely to crumble.

Getting distracted by a bad call is one way to escape from pressure.

Lower level players often say (and may truly believe) that they want to win, but at a deeper emotional level, what they really want is to escape from uncomfortable emotions in a tight situation as quickly as possible.

For most players, pressure doesn't feel pleasurable, it feels overwhelming. This is because their bodies are flooded with hormones associated with stress and fear. The only way to get away from these feelings is to get out of the match or shift the focus away from how they feel to something external happening around them.

So they try impossible shots, or they choke, or they tank. Or they get angry. Or they become distracted and upset by extraneous factors--the personality of the opponent, line calls, officials, spectators, etc, etc.

Subjective Pressure

The truth is that pressure is subjective. It all comes down to what pressure means and feels like to you. How pressure affects you depends on your belief in your ability to handle the situation. And how you feel inside your own body.

Try to tense up with your tongue hanging out of your mouth like Michael.

Elite athletes aren't overwhelmed because they aren't feeling the same way as the average player. In his book, Driven From Within, Michael Jordan says, "The day I don't feel nervous is the day I know I must quit the game of basketball."

But, regardless of his alleged nerves, Michael always wanted the ball. He may have been nervous before games like Pete Sampras. But look at the picture of Michael driving the lane. He was so relaxed his tongue was hanging out of his mouth. Just try doing that and then tensing up. It's impossible.

The Value of Tension

To embrace and enjoy pressure, you first need to acknowledge and accept that you will at times feel physical tension. Don't try to deny this or cover it up. Pete Sampras had no problem admitting it. So don't try to deny your own fears.

You need to understand that this tension, even acute nervous tension, can become the catalyst to peak performance. At the deepest level, it means that you care, that you are engaged in the moment, and that the ongoing events matter to you.

It also means you have a powerful energy source available if you can only use it in the right way. The secret is to accept the fear and nervous energy, but then to learn relax physically and transform it into positive energy. This is what the top players do instinctively.

Your nervous tension can become a powerful source of positive energy.

We know it doesn't feel good when we're tense. When we get tense and use too many muscles when we hit the ball, we don't execute our shots well and we don't play to our potential. But just knowing this doesn't change anything.

So is it possible to learn to change it? The answer is yes. You can train yourself to change your attitude and then change the way you feel inside your own body under pressure.

Train Yourself to Be Loose

In his groundbreaking book, The Relaxation Response, world-renowned doctor Herbert Benson has proven that we are capable of learning how to relax ourselves deeply. This goes for tennis too. The fact is that any player can learn to reduce his muscle tension and lower is heart rate. Once you relax sufficiently, instead of becoming tighter and tighter, you can use your energy to produce your best tennis.

The secret is a systematic process Benson developed based on heightening the awareness of our own bodies. It is known as Progressive Muscle Relaxation (PMR). Through Benson's research, it has been proven that people who practice his techniques can significantly shift the way their bodies respond to stress in just six weeks.

Federer, so fluid and relaxed, it looks easy.

Progressive muscle relaxation has been accepted in hospitals worldwide as the most effective technique to lower blood pressure and reduce stress. Its application in sports settings has also grown over the years and is a popular intervention used to reduce performance anxiety.

The truth is no player can simply command his body to relax. But if you practice progressive muscle relaxation on a regular basis, you will find that in general you simply won't get as tense as you once did under pressure. And when you do find yourself tightening up, you will be able to identify specific tension areas and call up a physical memory of what it is like to relax them.

Progressive Relaxation Process

How does it work? The steps below will guide you through progressive muscle relaxation. The process is simple. Find a place where you will not be disturbed for at least ten to fifteen minutes. If possible, lie down on the floor or a bed. But you can also work the process sitting or even standing up.

You can use progressive Relaxation techniques on the court.

First take a few slow, relaxed, deep breaths. Now focusing on one part of your body at a time. Then contract your muscles in that area and hold the tension for 7 seconds. Now consciously relax the same area for 15 seconds.

When you relax the muscles, take deep breaths (in through your nose, out through your mouth). During this 15 seconds observe the difference between the tension you felt previously and the way your more relaxed muscles feel now. It's critical to pinpoint that physical difference.

Here are the areas of the body and the order in which to work them. The sequence again is Tense for 7 seconds, Relax for 15 seconds:






Tense your arms and hands. Relax.
Tense your stomach. Relax.
Shrug your shoulders to your ears. Relax.
Bite down and tense your jaw. Relax.
Tense your entire face. Relax.
Tense your quads. Relax.
Tense your calves. Relax.
Tense your entire body. Relax.

Now pair the feelings you have in your body during the relaxation phase with a cue word or words. Cue words will form the basis for recalling the relaxed feelings on the court. Some basic examples are: "Loose, Calm, Excited, Energized," etc, etc. You should adopt the one or ones that feel right for you, or better yet, create your own.

If you wish, you can repeat the process twice for each specific area before moving on to the next area. Or you can go through the whole process once for each area and then go back and repeat the entire sequence. With practice you will develop the systematic ability to make a noticeable shift in your tension level.

To execute under pressure, you need to look forward to pressure.

As you get more comfortable with the process, expand the cue words to phrases like: "I enjoy pressure. "Pressure situations give me the opportunity to play my best," "I love being in this situation," etc. Again, create the phrases that are right for you.

Once you get comfortable with the PMR you can take it a step further by adding mental pictures of yourself in situations where you usually feel overwhelmed and too tense to play your best. Try to sense where in your body you become tense based on your new awareness. Now imagine hitting whatever the shot or shot combinations you like most in a loose way.

The image could be following through and hitting deep groundstrokes. Or a first serve to the backhand side. Or an inside in forehand winner. Or a running pass. Or a clutch high forehand volley on a floating ball. Or all of them, or some combination. Personalize these images based on your own game and what you would like to see happen in matches.

Imagine yourself executing patterns the need to win matches.

Go through this whole process 2 or 3 times a week for six weeks. This is the period required for it to have a real effect on your body.

The payoff is on the court. After you become practiced in progressive relaxation, you will probably find that you simply don't get as tense as you once did under pressure. This is because you now have an instinctive feeling of what it's like to keep your body relaxed.

When you do become tight, you will be able to identify the source. Do a quick whole body scan and find the tense areas. Most of the time the biggest culprits are shoulders and arms or the legs. But it's up to you to sense the specific areas for yourself in your individual matches.

Now call up the feelings and images you have created and practiced in your progressive relaxation exercises for those tense areas. Use the relaxed feeling you have developed to drive the execution of the strokes.



Smile to yourself and get ready to channel your energy into the ball.

If you are working the process correctly, you will literally feel the tension in your body changing, and this will allow you to access your energy in a positive way. You can do this as needed, or even systematically between points and/or on game changes.

You have developed a powerful tool to help you access your optimal performance state on court. it gives you the potential to experience the joy the pros feel when they come up with clutch shots at the right time.

Next time you go up 5-4 in the third serving and feel a pang of nervous energy, or when you find yourself hoping that your opponent will hand you the match with some loose errors, remind yourself, "I love this. I wouldn't want to be anywhere else." Then smile to yourself as you channel your energy into the ball and watch the ball pass your opponent just when you needed it most.

Wednesday, September 30, 2009

spanish diligence versus swiss artistry

Jimmy Connors the boy is gently tapping half-volleys against a wall, when his grandmother, Bertha, snatches the racquet, and slams the ball violently against the wall, as if to say this is how you play. Recounting this incident in Jimmy Connors Saved My Life, author Joel Drucker defined the attitude of the Connors family: "Tennis wasn't art. It was combat".

The workhorse will smile. He, Nadal, carries none of Connors' discourteousness, but has absorbed his playing philosophy. When he exits matches, like the Monte Carlo final on Sunday, hair glued together by sweat, clothes soiled, it looks as if he has come from battle. Predictably, his favourite film is The Gladiator.

The workhorse knows no other way except giving everything. It's why, if your kid wants to seriously pursue sport, make him watch the Spaniard. His work ethic will either terrify the child into seeking another career path, or drive him forward.

The artist, Roger Federer, is more fun to watch than the workhorse. So are Ronaldinho and Lara. If artists elicit a pleasure the grinder cannot, they are also harder to identify with, their artistry beyond normal reach.

Ronaldinho's magic is beyond mimicking. Federer defies impersonation. Lara's exaggerated flourishes were mesmerising, yet his ability to dominate with such technique was unique.

The Spanish workhorse offers a different virtue, one possible to duplicate.

Not without skills

He is not without fine skills, but is mostly an unbending creature of perspiration, produced from the same factory as Lendl, Gooch, Dravid, Vijay Singh, Keane, Viera, men built with a gift for struggle. Not that genius doesn't work hard, but these fellows must compensate for their absence of genius.

Dravid lacked Tendulkar's facility to flick a good ball for four; what he owned was the patience to wait for the right ball to flick for four.

Keane did not dazzle rivals, he just went at them, repeatedly, a swearing force of nature, till he drove a metaphorical hole through the opposition.

Masochistic marvel

The tennis workhorse is a masochistic marvel, whose ability to punish opponents is born from an extraordinary punishment of the self. To earn that bicep, that movement, that consistency has taken brutal repetition in weight room and practice court. He is best friends with pain. He must be to compile a record streak on clay of 67 matches.

Coaches plead of athletes, "commitment, commitment". They would adore the workhorse, for he lives it. Every single point against the artist on Sunday.

This is not easy. Sporting contests on an everyday basis are decided not so much by outstanding shots as loose strokes. A small ebb of concentration and a batsman swishes outside off stump; a footballer's focus flickers and his pass goes awry. Players are distracted by exhaustion, losing, stress, let down by weaknesses of character, and so their intensity fluctuates.

Not the workhorse from Spain. He will play bad points but never lazy ones, he will bring the entire force of his passion, intellect and concentration to every point, his mind allows for no compromise.

Perhaps the extra time he seems to take between points is him actually repeating some vow of dedication. He is deeply invested in every shot, he must be, for, unlike the artist, his style wins him few cheap points.

It is a fascinating labour, a devotion that makes the workhorse better, for after stale performances following last year's French, he was unstoppably aggressive in Indian Wells and now Monte Carlo. Undoubtedly clay elevates him, but his sheer power in covering the court, in hitting forehand winners out of position with an abbreviated backswing, produces a reaction no opponent has managed. He rattles the artist from Switzerland.

Barcelona, Rome, Hamburg, the artist has three opportunities before Paris to experiment with a more forceful attack, sliced backhands, more telling returns. He is outside his comfort zone on this infernal surface that hides his brilliance; he is not the best player in the world here.

The workhorse will never equal the artist elsewhere, but here he will enjoy watching confidence bleed from the artist. He will know, too, the artist will come back stronger, bolder. He knows he must be ready to run. He spits in his callused hands and he waits.

Tuesday, September 29, 2009

Mindfulness in sports

Ever lose a match because you got a little tight on a critical break point? Or lose your focus and make uncharacteristic mistakes when you're trying to close out a match? Or maybe you are that rare player who doesn't think too much about the score, but still gets frustrated and negative when you're off your game.

All these problems are related to your ability to manage your anxiety and negative emotions. One line of thinking goes that the solution is to try move to a place where you play from positive feelings of confidence and fun, the ideal performance state. No doubt this is a great goal all players should strive for that produces awesome tennis.

But how often do you actually get into and maintain that state for the duration of an entire match? Most of us have glimpses of these feelings, but struggle through the majority of our competitive experience dealing with feelings of fear and uncertainty, at least at some level.

Now research on the brain suggests a completely different solution, through an ancient technique called "mindfulness." Rather than completely eliminating negative feelings, mindfulness training can help you escape their effect by changing how you focus, and increasing productive action within your brain.

The research shows that you can literally change the way your mind works and in this way make fundamental changes in your mental game. The most exciting aspect is that these changes can become permanent - by actually rewiring how your brain responds in certain situations--and this can transform who you are as player.

Mindfulness has its roots in ancient traditions such as Tibetan Buddhism.

"Mindfulness" can be defined as a deep focus in the present moment. It is the act of doing just one thing with our attention completely absorbed in an activity without judgment. Mindful breathing is the most basic technique within this practice, consisting of prolonging our attention to our breath.

The concept of course is not new. The concept of "mindfulness" comes from the East and has its roots in a variety of disciplines - namely Tibetan Buddhism, Vipassana, and Zen. Mindfulness works by strengthening the "focus" muscle in the brain - known as the pre-frontal cortex.

What researchers are finding is that by consciously shifting our attention through mindfulness we can balance the left and right hemispheres of our brain. This is critical because each hemisphere has a different task - the left hemisphere is more analytical and verbal, the right being more intuitive and visual. Playing tennis well requires a balance between the two, otherwise we can become too analytical, rigid and less instinctive. Staying calm and fluid with our strokes requires this balance.

The point is that through the practice of mindfulness we can not only create a new, balanced mind state in the moment, but also alter the way our brain looks and functions over time.

The goal is balance between the left and right hemispheres.

One of the most interesting implications of this research has to do with how we deal with anxiety. It's generally assumed that the goal is to reduce or eliminate our fears so that we can play with positive emotional energy. That's a great goal, something most players can work toward, and learn to access at times. It's sometimes called being in the zone. But eliminating anxiety isn't always possible in many or even most competitive situations in tennis.

Techniques associated with mindfulness offer a different solution to the presence of these negative thoughts and fears. Rather than eliminating them, proper focus will allow you to reduce or eliminate their impact, so that you can function at your highest level even in their presence.

When you are balanced between the two hemispheres while playing, the left hemisphere can still contribute analytic thought, but not at the expense of dominating our mental experience. With proper focus, the left brain can quickly assess what shot to hit next or how to clean up your big backswing on your return, leaving more time, for example, to orient yourself to your opponent's toss or position when returning.

Mindfulness trains the prefrontal cortex, the "focus muscle."

This seamless focus on what is "relevant" in the moment has huge performance benefits. If you find your mind drifting off the court during matches, or have a difficult time functioning when you hear the voice of your inner critic, a shift in focus may be all you need to help resolve what might seem like insurmountable problems that have plagued you for years.

Over time this kind of focus shift can actually rewire your brain to make these responses permanent. This is what leaders in neuroscience are now discovering: that our thoughts and conscious shifting of attention can act back on our brain to actually change its structure over time - not just in the moment. This possibility of impacting our wiring to reduce deeply ingrained mental habits - namely losing focus under pressure appears to be revolutionary.

I've long known the value of preparing mentally for matches with imagery and music, and the importance of managing our "monkey" mind in matches. Over the years, I've helped many players quell their critical voice, play more aggressively even though their brain tells them to play it safe, and shift their focus on demand. But, what nobody has fully known, and what is now emerging, is that a practice of mindful meditation and conscious attentional shifting can actually change the way our brain is wired in a way that can transform you as a player.


Does he love the fight more than the win?

The Nadal Example

By now, I'm sure that you, like me, are dumbfounded by Rafael Nadal's ability to concentrate and the depths of his competitive spirit. Can you imagine what Rafa's brain chemistry looks like?

Take a recent comment Nadal made after his recent win over Federer in the Australian Open. When asked by reporters about the match he said, "Maybe I like the fight more than the win."

Let's consider Nadal's statement from a neural wiring perspective as it relates to focused attention. If Nadal's focus is truly on the "battle" rather than the result as he claims - which I firmly believe it is - than it is likely that he is spending little to no mental effort trying to manage negative thoughts, negative memories or worries about what could happen. He is so engaged in the present moment, focused on what he needs to do every point to play his best. He is not allocating important psychological real estate to manage the barrage of negativity that can emerge from the common outcome-oriented mental state. Those thoughts may flash through his brain from time to time as they do with all players. The difference is Nadal is so focused that he doesn't engage them.

Balanced focus in the face of Rafael Nadal.


If you look closely at Nadal's face when he is competing, particularly his brow, he has a look of that almost appears as consternation. This facial expression represents the depth of focus that Nadal is able to generate. One can only imagine the beautiful brain circuitry that Nadal is activating in the heat of battle - decisiveness, a narrow focus on the ball, the court and Federer's patterns - all that processed, literally, in split seconds. And the outcome is the incredible high percentage execution of the most difficult shots at the most critical moments.

But let's take this one step further. Every time Nadal acts on this pattern with a mentality of "fight for every point, give up nothing", he actually deepens the connection of this particular neural network for use in the future. For example, when he chooses to hit a deep backhand crosscourt winner that makes our jaw drop open again, the brain circuitry that created this decision becomes even more accessible next time. In other words, the physical action Nadal chose will actually act back on the brain to further reinforce the connectivity between focus and execution.


Let's look at another example, but this time not Rafa, but you. You're leading 5-4 in the first set ad-out, set point, and as you crouch down to return serve your brain flips through the rolodex of possible shots that you could use to win the set. You think, "Should I block it back? Should I step in and take the offense right away? I missed my forehand long the last time I really went for it. Maybe I'll just put it in play." In the meantime, simply because you are spending too much time processing the situation, your body tightens up just a little bit. You decide to put it back in play and hope for the best. To your chagrin, your opponent, realizing that she has to win the point, takes your short blocked ball and hits a winner crosscourt.


With balanced focus players process input faster with less effort.

In comparison, it's not that Nadal isn't thinking about these sorts of tactical possibilities - rest assured he is - but the key point is that he doesn't have to work as hard mentally as most players do to process the input. He is decisive. His processing speed simply appears to be faster. A study done recently found that verbal facility and problem solving actually improve in elite athletes. Scientists Fink and Neubauer describe it like this:

"Like the expert meditator, the expert athlete, has developed the ability to do more with less. By directing attentional resources more consistently and with less possibility of engaging the attention in surrounding cognitive noise, the elite athlete maintains full, or even heightened, awareness of his or her context while simultaneously engaging in sustained on-task attention."


Pete Sampras: clutch serving even with anxiety.

Improving Focus

So how to do this? By learning to balance the halves of your brain through a disciplined focusing exercise, such as focused breathing.

It's well known that elite athletes in any sport relish pressure. They have learned to embrace their nerves and when they feel anxious they immediately think something like, "Yes, it's show time." When Pete Sampras was asked about what he missed most in the game he responded, "I miss throwing up in the locker room before the finals at Wimbledon." Elite athletes love these moments and don't let their nerves get in the way. The key point is that they have figured out that it is not the nerves that will determine their success but, rather, being able to maintain their focus in the moment and committing to the shots they believe in.

Putting studies in golf, conducted by Crews and Landers, also revealed that successful amateur golfers who were able to make putts under stressful conditions reported feeling as much anxiety as those were not able to make the shots. These reports were also confirmed with physiological measures: Heart rates of the successful golfers increased as much as those of golfers who failed to make their putts.

Reduced left side brain activity correlated with better putting.

The difference, however, was that left side brain activity was reduced in the top performers, suggesting they were able to divert mental resources to the right hemisphere as needed to complete the task. These physiological studies concluded that the less experienced athletes had higher levels of left-side activation when on task, while more experienced performers consistently exhibit balanced patterns of left-and right-side activity.

What's particularly relevant here is that many players are often both overly preoccupied with finding ways to reduce their anxiety in competition and are disturbed by these feelings. While reducing anxiety is certainly possible through consistent practice of a variety of techniques - including mindfulness training - the key to peak performance appears to lie more in our ability to manage our focus than in directly reducing our arousal levels. It's a matter of shifting our focus away from feelings that may be there, so their role is diminished. This makes sense because it is most commonly the negative thoughts and irrelevant distractions that fuel the anxiety pump in the first place.

So it is not the direct reduction of anxiety - heart rate, and blood pressure, for example - that distinguishes the elite from the rest, but our ability to shift our attention on demand. And so far, it seems, the quicker the better. This information is extremely important because it can help us begin to use our psychological resources more effectively.

The Amygdala: the fear center lurking deep within the brain.

Mental Brushfire

Without the ability to shift and sustain focus our untamed minds remain vulnerable to the compulsive thoughts that pop into our heads whenever pressure begins to emerge. It is too easy to get carried away by these thoughts and make poor choices in the middle of competition that only strengthen our bad habits when it comes to our strokes - i.e. playing tentatively and impatiently. Too often, we become victims of our thoughts and forget how we want to really hit the ball or what we practiced during the week leading up to the tournament.

A player who actually equated a first round loss with the possibility of being out on the street one day in his life away from tennis.

The mental kindling went like this: "What if my ranking drops? What if I don't get a scholarship after all this time? Then I'll have to go to a weak school. This will surely affect my chance of getting a good job. If I don't get the right job maybe my whole career will take the wrong track. Maybe I'll even be on the street one day. I have to win this match!"


Learn to put out the brushfire with your breathing.

While I know this may sound far-fetched to you, this is the kind of pressure he was placing on himself to win and improve his ranking. This kind of thinking is called the "brushfire fallacy," in which one negative thought leads to another and another. Again we can directly relate this to activity to one section of the brain, the amygdala or the fear center . In this case the fear center was overly activated, which held him captive. Then of course, his tentative play and eventual loss only strengthened this mental loop. A nasty, on going self-fulfilling prophecy.

So what did I do to help him shift this destructive thinking pattern? I had him interrupt this process with a deep breath as soon as he noticed the thoughts circulating in his head. He understood this was critical to stop the brushfire and give other brain synapses a chance to fire. He learned to focus on his breathing daily to practice "catching" these thoughts and become more aware of his tendency to focus on things not working out.

I also taught him to pull up pictures of himself playing loosely and confidently and hitting his favorite shots - which were in direct conflict with the actions he was choosing previously. I explained to him that we needed to create new mental "grooves." This is an important distinction because I believe spending too much talking about fears - beyond a certain point - can often deepen the emotion connected to the irrational thoughts.

By increasing his awareness of his negative thinking style, particularly the tendency to "brushfire", interrupting these negative thoughts, and replacing them with new pictures his concentration improved. And, to his great satisfaction and relief, he did earn that college scholarship to a division I school.


Develop images of relaxed hitting in your own mind.

Mindfulness Training

I feel confident when write about this topic because I have spent years trying to tame my own mind. Like so many players, I was prone to distraction throughout my playing career . For many years, prior to learning about how to manage the mind, shift focus, or reduce tension, I was largely a victim of my thoughts and excess tension. Far too often, I would choose to play tentatively in big moments, leaving the ball short because I wasn't able to shift my focus to positive thoughts or be decisive about my shot selection. I remember being very rattled by nerves and not knowing what to do about it.

And if you think that I have spent years meditating to get a handle on this, think again. It's not true. But, I will tell you what I have done that has made a huge difference.


I have learned to focus my attention on my breath. I focus on my breathing multiple times a day. It's now a habit. Just one or two breaths in the middle of the day, before or during a match, before a point, literally slows my mind down. I feel it immediately. My mind is free to focus on what is relevant. During the week I might breathe for 5 minutes or so a couple of times in addition to the periodic breathing throughout the day. I do yoga once a week. I also practice trying to pay attention to one thing at a time. This is what mindfulness is all about. It is not an either or proposition.

Not everyone can meditate on the beach at sunset.

I tell you this because I believe there are significant benefits even if you don't practice mindfulness breathing 20-30 minutes every day, which would be more typical of a formal meditative practice. Some people will never do this, but that doesn't mean you can't benefit tremendous from the basic process. The point is that even a little bit can go a long way. It will help you on the court to focus and play better. You will be surprised.

So here is a simple series of 4 Steps to put this into practice:

First, commit to relaxed breathing 5 minutes per day. To do this, place one hand on your abdomen and one on your chest and allow your abdomen to rise with every breath. Imagine filling a balloon up with air. This will ensure that you are taking the deep, relaxing breath necessary to create the doorway to finding your true and ability and to be able to focus and refocus as necessary.


Second, stay present off the court before your match by keeping your attention on whatever you are doing in the moment. This has been one of the most powerful mental techniques that has literally brought players focus to an entirely new level. If you are in the shower, feel the water on your body, if you are eating, taste your food. This will induce a deeper state focus and relaxation even before you walk on the court.

Third, use passive attention on the ball when returning by keeping your eyes fixated on the ball. Do not try to concentrate. Use your deep breath to relax your body and just watch the ball and get absorbed into tracking the ball from the moment your opponent steps up to the line to serve.

Fourth, when serving practice a progression I call BPR, which stands for Breath, Placement, and Relaxed Arm. First, take a deep breath as you walk to the line to establish your presence, which is accompanied by a choice of your serve. Second, briefly imagine the ball traveling toward your target in your mind. Third, scan and release excess tension from your shoulders and arm. This routine is followed by you bouncing the ball a set number of times, which is comfortable for you and the serve. Keep this routine consistent and practice it regularly so it's automatic.


The serving progression: Breath, Placement, Relaxed Arm.

Think about this: 50 years ago we didn't know that it was possible to assert control over an involuntary response such as breathing. There is something seemingly magical about being able to regulate something that is part of the autonomic nervous system. We can't directly control our heart rate or blood pressure but we can focus on our breathing as a way to affect everything else. As we train ourselves to shift our focus to our breath and stay mindful of what we are doing in the moment we strengthen our mind and generate new firing patterns in our brain.

As we shift our attention to the moment at hand, we increase the likelihood that we will play the game of tennis on our own terms. No longer do we need to be victims of random thoughts or physical sensations that shoot through our body. We can create a "pause" button that redirects our chain of thoughts to a new network that holds the key to our greatest potential and joy. As I always say, we aren't taking any of these trophies with us. But I believe we can lay our rackets down one day knowing that we responded to pressure without being held hostage to a mind that was designed largely for solving problems, not hitting a tennis ball.

Tuesday, July 15, 2008

Roger and Rafa

the post is attributed to steve tignor

How much can we learn from the pros? Or, more to the point, how much can we take from their games and profitably apply to our own? After seeing 4 hours and 48 minutes of Rafael Nadal vs. Roger Federer (yes, I’m switching the customary order of their names for the time being) a week earlier, the question was on my mind as I walked onto the court this past Saturday and Sunday.

I had low expectations, even though I’ve always been a big copier of what the top guys do. I began my junior career using Bjorn Borg’s board-like, orange-and-black Donnay racquet, and I still use the Western-grip forehand I took from him. The deep knee bend in my serve comes courtesy of Boris Becker. My lefty service toss and shoulder turn were inspired by Goran Ivanisevic. The racquet I use today? Federer’s Wilson KFactor 90.

I internalized those playing styles when I was a kid and still able to alter my technique. (Sometimes I think athletic talent manifests itself first as a child’s ability to mimic what he sees a pro doing. Witness Novak Djokovic and his very life-like impersonations.) These days, I can use Federer’s racquet, but it’s a little late—a lot late, actually—for me to change my forehand grip to Federer’s or try his wrap-around follow-through. I’m not even going to ponder Nadal’s open-stance backhand crosscourt passing shots.

But that hasn’t stopped me from continuing to imagine how the pros move, swing, and think about various situations during a match. During some rallies in recent years I’ve consciously tried to imitate—in my own, slower, less elegant way—Federer’s flowing style of movement around the court. It’s helped for short periods of time, and only if I’m already very relaxed during points. Picturing his cat-like strides as he moves toward a ball usually leaves me well-balanced for the next shot. The trouble comes when I have a sitter near the net. That’s when Federer combines his elegant movement with the explosiveness needed to get around the ball and into position for a forehand as quickly as possible, which will give him more than one option on the next shot. Turning on the explosiveness, without sacrificing any of the balance, is the part that’s tough to imitate or even imagine. I end up approaching a sitter too casually—or lazily—to give myself more than one option once I'm there. I’m better off forgetting Federer, scrambling up there any way I can, and trading some balance for speed.

Otherwise, Federer is impossible for me to copy in any way. From a technical standpoint, you often see photos of him watching the ball onto the strings and holding his head there even after he’s made contact. This may be helpful advice for kids, but when I try to do this it quickly begins to seem unnatural, and incredibly tiring. I realize that isn’t just a talent of Federer's, but a habit gained from many hours of painstaking repetition—that’s why the extra effort he makes to do this doesn’t tire him; it's second nature. From a tactical standpoint, I also have a hard time imagining how Federer would play any given point. He uses his slice crosscourt backhand to move guys into an uncomfortable position at the side of the court, but this is a dangerous play for someone who doesn’t defend like Federer. When he attacks, he typically turns the tables in a point with one defensive backhand or forehand and ends it with the next one. This, I hardly need to tell you, is not a realistic strategy for most of us.

So I guess it’s not surprising that this weekend it was Nadal I attempted to channel. As great as he is, I can at least recognize the way he sets up points well enough to imitate it. And his energy and enthusiasm seemed more useful than Federer’s gracefulness. Plus, I’m a lefty, which, if nothing else, means I’m hitting from the same side of my body as he is. That’s something, right?

On Saturday, I played for the first time in two weeks and felt stiff. When I had played for the very first time earlier this summer, I’d felt surprisingly good. That’s not uncommon—low expectations can lead to good things—and it isn’t uncommon to feel a little off the next few times you play. On Saturday I had just finished watching a tape of the the first point of the Wimbledon final. I was shocked by how freely Nadal was moving and hitting right from the start. Before playing that point, Nadal had come off his chair on the sidelines, kicked his legs up, and done a hard jog to the baseline with a towel in his hand before bouncing around like a boxer. I tried the same high-kicking hard jog back to the baseline, but I wasn’t ready for the sudden movement. My jog fizzled out at the service line and I had to walk the rest of the way. I was too stiff. I was too old. I wasn’t Nadal. But I still had the towel in my hands, so I tossed it toward the back fence. There was no ball kid to catch it.

On my return stance, I tried a couple times to imitate a little of Nadal’s intensity—again, in my own, less intense way—as he waits for the serve. I found the stress on my muscles too much, so I went back to my normal, more relaxed return routine, where I lean down, flip my racquet back and forth, and pick my feet up briefly, one at a time. (This also came from Borg, which I didn’t realize until watching old YouTube clips of him in his prime.) On my own serve, I considered taking more time beforehand, à la Nadal: gazing across the net, pulling my hair back for no reason—it’s not long enough to get in my eyes—and bouncing the ball many, many times. For all I know, this may have helped. But did I really want, on a sunny Saturday morning, to slow the match down and potentially irritate my friend John, who plays, as they say, as if he’s double-parked? My normal rhythm is pretty swift as well. Maybe it shouldn’t be, but I doubt I’ll ever have the patience to find out.

Did anything from Rafa’s repertoire help? I already play the way he plays most of the time. I hit topspin crosscourt forehands into my right-handed opponents' backhands, though I can't take the ball on the rise and go inside-out with it at the same time, the way Nadal does. Saturday I was useless in general, but on Sunday, with a day of practice behind me and a new, younger opponent to motivate me, I was much better. This time I was able to channel Nadal exactly two times. The first came when I backed my opponent up and got a floating reply to my backhand. It was the right moment for a drop shot, and I had Nadal’s style in mind as the ball came toward me. He gets close to the ball and cuts under it with a severe chopping motion, rather than caressing it the way most people are taught. I tried it his way. It worked, clearing the net easily and bouncing sharply back toward me and away from my opponent, who couldn't track it down. Is racquet-head speed the key to the drop shot, as it is to so many other shots?

The second, and last, time I successfully imitated either Federer or Nadal was on a break point in the first set. I hit a crosscourt forehand approach to my opponent’s backhand and got a sitter reply in the middle of the court. An easy shot at first glance, it’s also easy to flub. Even sitter volleys can be tough to control depending on the spin the other player has put on his shot. Often I take too big a swing in this situation. Nadal avoids this by positioning his racquet straight up and down, almost perpendicular to the court surface, and simply tapping the ball away from his opponent. He doesn’t hit it hard, but he makes sure he angles it away. The other guy rarely has a chance of chasing it down. It looks almost like a beginner’s play, but it works for him, and it worked for me on Sunday. The ball was easy to control and easy to direct into the open court for a winner.

I had the early break and continued to play well. I wondered, as I got close to the end of the second set, if I should fall flat on my back and stretch my hands out Christ-style—Rafa-style—if I won. When the time came, I thought better of it. I was worried that I might never get up.

Saturday, May 10, 2008

Mixed doubles 05/09/2008

Friday evening. what a better way to start other than play tennis. went to the beautiful tennis courts at eagleridge. beautiful houses along the way. wife would love them ;) . tennis courts were under a bubble and so was my game. love playing indoors without the wind. though it was a bit sultry outside. started off great in practice. the inner badri was playing while the mind was just watching. the followthrough was complete and just pure energy. could hear the squeak in my shoes. The match began with jittery nerves, though the first point wasnt too bad. right through out the match there was a convolution of positive, negative,doubtful, anxiety,nervousness etc!!!

I had a few nervous shakes right through out the day. low BP may be :). all in all it was fun playing, being compteteive and my parter was " Go us" all the time. we came back from the brink of defeat only to be defeated but it was exciting. I didn't play anywhere close to potential. I was a nervous wreck. but hell, who cares!! There we some close calls that went against us and we didnt have the guts to argue to be nice. typical utah indian I was :) the lessons i learned was the tennis match showed me my nerves, where i took an avatar as choker fantastic and the ball was so threatening like the one in indiana jones and i was no harrison ford :) , sweaty palms, etc what else can I say.anyways awareness is said to be curative. lets see if it does ...anyways more thoughts in my next!!!

About Me

One who is just beginning to slowly think clearly about life and understand what I am or what is( it is dynamic)Hence I need to follow it swiftly with a pliable heart and a quiet mind.

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